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Kino Pleme / Live Soundtrack

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1. Live Soundtrack 60 | Nova iranska animacija | 29.11.2021, CZKD

   Stričević / Latinović, Crno dete, Grotestant 

2. U okviru 60. izdanja “Nova iranska animacija”, Live Soundtrack prikazuje novije radove iz iranskih krugova nezavisne i akademske animacije : u rasponu od ručno crtane, preko 3D I animacije sa glinom, filmovi se bave pitanjima društvene i moralne korupcije, sa fokusom na alegorijske priče prožete humanističkim i antiratnim sentimentom, za koje će muziku izvoditi akteri sa scene slobodne improvizacije i slobodnog džeza.

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   Stričević / Latinović
   
   

   Marko Stričević (perkusije) i Jovan Latinović (elektronika)

   Članovi Džezbollah, dizaster džez kvinteta iz Beograda. Bend kombinuje uticaje sa punk i free jazz scene i transformiše ih u kakofoniju sa političkim nabojem koji odražava imperijalizam na Bliskom istoku.

   Možda najbolji opis njihovog zvuka dolazi od slučajnog prolaznika koji se zadesio na jednom od retkih nastupa benda:

   Kad bi ih neko pitao šta više gotive, Orneta Kolmena ili Black Flag, njihov odgovor bi bio “Da”.

   https://dzezbollah.bandcamp.com
   
   
   Music for films : "Noise", "Fashion Nazi", "The Colorless Leaf", "This Side, Other Side" 
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   Crno dete
   
   

   Crno dete je turbo rok pank džez trio iz Beograda. Njihova muzika je spoj slobodne improvizacije i komponovanih pesama (i instrumentala), baziranih na tradiciji nojza i psihodeličnog roka, uz elemente surfa, panka i džeza, a sve začinjeno blisko-istočnim i balkanskim ornamentima.

   Crno dete počinje sa radom 2010. godine kao solo projekat gitariste Damjana Brkića (Klopka za pionira, The Cyclist Conspiracy) . Grupa postaje duo 2012. kada se Milan Bukejlović (Petrol, Virvel, Triko) pridružuje na bubnjevima. Od 2018. sastav je pojačan saksofonom koji svira Tomislav Marjanović - Rale (The Cyclist Conspiracy).

   Do sada su objavili tri albuma komponovane muzike: Riffs (2012), Dževad (2014), Zlatne stvari (2016) i jedan improvizovani živi album: Neponovljivo (2017).

   www.crnodete.com
   crnodete.bandcamp.com

    
   Music for films : "Mandouzma" and "The Statue" 

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   Grotestant
   
   

   Ivan Marinković aka Grotestant komponuje muziku u DAW-u (Digital Audio Workstation).
   Njegova paleta zvuka obuhvata ambiental,drone, industrial, metal, drum n bass , lo fi, trip hop...
   Deo je dua pod nazivom Aska & Zvuk koji je okrenut ka post pank i post rock zvuku

   https://www.youtube.com/watch?v=OFKNEnBN_YY

   
   Music for film : "The Pigeon" 

9. Photo gallery : 

   (By Srdjan Veljovic)

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15. Film program : 

16. Mohsen Salehi Fard – The Statue (2021, 9’)
    
    The sculptor engages with the mud of his sculpture and shapes it.
    

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18. Ali Eskandari, Moones Zeydabadi Nejad- Mandouzma (2020, 9’)
    
    The village became damned
    And the villagers decided to make a sacrifice

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20. Mahdi Barqzadegan - Noise (2019, 2’)
    
    This is a short animation about some people that we think of as an artist but in fact they are neither artists nor their works are art. The point is that ordinary people do not know the truth. This challenge makes them choose to be a fake artist but to be accepted by the people, or to accept the reality...
    This animation wants to show this challenge and create a drama

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22. Zahra Ebadi – The Pigeon (2020, 4’)
    
    "The world is filled with various puppets. They are born. They grow up and become puppets.
    This is how they live. They're all the same... But you... I know what you are. The puppets know you as an alien... an alien that defies them. They are going to fall into decay. But you saved me. Now I show who you really are... just look at your blue hands...". THE PIGEON

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24. Lida Fazil – This Side, Other Side (2020, 9’)
    
    No boundary can prevent the formation of friends and affection between children

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27. Behzad Yaghmouri – Colourless Leaf (2019, 1’)
    
    War and child.

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29. Ahmad Khoshniat - Fashion Nazi (2017, 2’)
    
    Different models’ legs start taking a walk in front of an audience’s view on the stage one by one and those all are applauded by. In the course of the time, models lose their fashionable pose and turn into regular, carefree, obstreperous and poor poses or people; nevertheless, they are applauded by the audience in a fetishlike way! Finally, the last model, who has a weapon in his hands like a hunter, shoots the audience while he/she is applauding him!

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