Kino Pleme / Live Soundtrack

Built with Berta.me

  1. Live Soundtrack 71 | Tranzit House, Cluj | 22.6.2023. | 20:00

    Cristian Ciceu, startrec, Transink

  3. startrec


    startrec is a technological experiment aimed at transforming incessant knob twiddling and electrical signals into feelings and vibes not unlike what you receive from your favorite sci-fi series.

    https://start-rec.bandcamp.com/

    https://soundcloud.com/start_rec

  5. Cristian Ciceu


    Cristian Ciceu (b. 1976) is one of the few Romanian guitarists active in the field of free improvised jazz with an interest in ambient music. His technique involves extensive looping, digital and analog processing and prepared guitar.

    https://cristianciceu.bandcamp.com/

  7. Transink

    Trans_ink is an alias of Marko Milicevic, curator of the Live Soundtrack event, who makes night-time ambient music by creating loops of small, acoustic instruments, voice and choir samples, and playing synth tones who are drowned in the sea of delay and reverb.

    https://livesoundtrack.org/music-projects/

  9. Film program : 

  10. Dominic Angerame - Luminae (US, 2022, 3’)


    For years I had been shooting with an iris attached to my lens creating a circle. The sun seemed to be a natural progression of the circle, especially its revolutions. The film is an accession into the heavens. This film was magically created from the soul of my spirit. The music was also magic that it glides the imagery into its many manifestations. This film is definitely the result of the magic of cinema capturing a spirit of space that would make George Melies cry in wonder.

  12. Anna Kipervaser – Hortus Conclusus (US, 2016, 7‘)

    From the "Song of Songs": A garden enclosed is my sister, my spouse; a garden enclosed, a fountain sealed up

  14. Leonardo Pirondi - In Search of Mount Analogue (US, 2021, 4’)

    In Search of Mount Analogue journeys through ocean and land, bringing life to the imagined, metaphorical, and mysterious island from the 1952 novel, “Mount Analogue,” by René Daumal. The film uses 16mm film to capture computer-generated images that create an immersive, but rather odd, landscape of Mount Analogue.

  16. Alexander Fingrutd - Press Pound to Connect (US, 2019, 3’)

    This film was hand processed, shot on 16mm film, and created using a masking technique and appropriated images. The nine equal parts reference the Pound Symbol on a telephone keypad. Here, it is used as a symbol for connection. We are connected to more than what is immediately around ourselves: to each other, the planet, and the farthest galaxies. What distant things are having an effect on us and what are we non-visibly affecting? The similarities between these connections are represented through overlapping images. It shows a change in perspective, going from the individual singular self, to a view where there is no divide between self and other. It brings us to a cosmic, all-encompassing view, divided in space and tied together through telephone wire.

  18. Wen Pey Lim - LDN 51.5072N 0.1276W (Malaysia, 2022, 4’)

    LDN 51.5072N 0.1276W examines the influence of the Industrial Revolution via the relics from architecture in London, reflecting the effects technology has had on transforming traditional notions of work, community, and identity.

  20. Michael Lyons – Parts (Japan, 2023, 5’)

    This camera-less silent film examines parts and wholes. Electronic components were photogrammed on 16mm print stock. Displacements in time and space assemble the parts into an abstract dynamic gestalt.

  22. Nick Twardus - The Fabricated Wild (US, 2020, 10’)


    The Fabricated Wild explores the intersections between the natural and artificial within the Florida wilderness using personal film-making technology. Images strictly of the natural landscape are sequenced to break from traditional cinematic viewing techniques. Images foreground the natural Florida landscape in the frame and communicate how cinema fabricates the expansive wilderness. The Fabricated Wild frames the complex interaction between a frustrated filmmaker and the collective unconsciousness of the natural environment, a theory outlined by Carl Jung, considering the implications and discoveries along the way. The film frames the experience of interacting with and revealing the forest’s collective unconsciousness that is frequently hidden in cinema to call for an experimental way to engage with the natural landscape. 16mm, Super 8.

  24. Marianna Milhorat - Sky Room (US, 2017, 6’)

    Someone is missing. Plants grow, but at what cost? Technology threatens and seduces as humans attempt to solve a mystery through telepathy and mirrors. Stainless steel and broken glass strewn about an intergalactic discotheque. Commissioned by the Chicago Film Archives, with footage and sound from the archive chopped, manipulated and arpeggiated into a fertile mix of anthem and narrative.

  26. Kent Tate - Catalyst (Canada, 2018, 4’)

    Being natural born pattern seekers, we are forever looking for this or that clue to help explain what otherwise might appear unfathomable. Fundamentally Catalyst represents a type of diary without dates, of memories reconstructed to formulate my story. A story that takes place in time and space, shaped by the earth and sky.

  28. Claudia Ungersback - lat.copiare (Austria, 2006. 4')

    asking the question of originality in a world of DIY Reproduction