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Live Soundtrack 70 | Zpațiu / Zpace, Chișinău | 20.6.2023. | 21:00
Bincovski, S.Bluyer, Azurium, Transink -
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S.Bluyer
S.Bluyer is a musician of Russian origin,who lives in Moldova. In 2004 she started writing music, continuing to the present day. In addition to the chillout style, which is predominant, gradually joined the ambient style. The melancholic and emotional atmosphere of her songs make the listener discover a transition to another reality. -
Bincovski
Bincovski's music is about self-expression and experimentation. He is not sticking to one type of music genres ."Basically all I'm trying to say is that I'm having fun and I bring my random song ideas to life. In the future I want to become a great producer, I strive to make undeniable good music but at the same time as infectious.“ -
Azurium
Azurium is an experimentalist in the electronica genre. His works primarily aim to surround the listener with a blend of zen, nostalgia, and motivation allowing them to dive into the untold essences of life to get the feeling of grasping various emotions through immersing into the world of the mesmerizing tracks he carefully handcrafts. -
Transink
Trans_ink is an alias of Marko Milicevic, curator of the Live Soundtrack event, who makes night-time ambient music by creating loops of small, acoustic instruments, voice and choir samples, and playing synth tones drowned in the sea of delay and reverb. -
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Film program :
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Josh Drake - Lightmare (US, 2020, 7’)
Lightmare was inspired by a group of youths who used to race motorcycles by my house. They would sometimes ride when I was trying to get my young daughter to sleep and caused great aggravation for me. The neighbors became quite worried as well and eventually the police were engaged to stop the racing, unsuccessfully. Stories began to spread about who the youths were and what poor conditions their parents were raising them in. The film attempts to capture the anxiety of the neighborhood, using negative space as a mask to subvert the audience’s expectations of horizon and depth. In contrast, much of the content underscores the triviality of the perceived threat. High levels of film grain enhance the effects of pareidolia, paralleling the human impulse to create stories for the unknown riders. -
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Dominic Angerame - Luminae (US, 2022, 3’)
For years I had been shooting with an iris attached to my lens creating a circle. The sun seemed to be a natural progression of the circle, especially its revolutions. The film is an accession into the heavens. This film was magically created from the soul of my spirit. The music was also magic that it glides the imagery into its many manifestations. This film is definitely the result of the magic of cinema capturing a spirit of space that would make George Melies cry in wonder. -
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Alexander Bickford – Vacationland (US, 2022, 8’)
The dizzying dreams of summertime. -
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Anna Kipervaser – Hortus Conclusus (US, 2016, 7‘)
From the "Song of Songs": A garden enclosed is my sister, my spouse; a garden enclosed, a fountain sealed up. -
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Leonardo Pirondi - In Search of Mount Analogue (US, 2021, 4’)
In Search of Mount Analogue journeys through ocean and land, bringing life to the imagined, metaphorical, and mysterious island from the 1952 novel, “Mount Analogue,” by René Daumal. The film uses 16mm film to capture computer-generated images that create an immersive, but rather odd, landscape of Mount Analogue. -
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Vasilios Papaioannu - Parenthesis (US, 2021, 4’)
In this lonely contemplation of a past summer, the ancient promontory becomes a parenthetical projection of frantic lines and alternating impressions. -
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Alexander Fingrutd - Press Pound to Connect (US, 2019, 3’)
This film was hand processed, shot on 16mm film, and created using a masking technique and appropriated images. The nine equal parts reference the Pound Symbol on a telephone keypad. Here, it is used as a symbol for connection. We are connected to more than what is immediately around ourselves: to each other, the planet, and the farthest galaxies. What distant things are having an effect on us and what are we non-visibly affecting? The similarities between these connections are represented through overlapping images. It shows a change in perspective, going from the individual singular self, to a view where there is no divide between self and other. It brings us to a cosmic, all-encompassing view, divided in space and tied together through telephone wire. -
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Wen Pey Lim - LDN 51.5072N 0.1276W (Malaysia, 2022, 4’)
LDN 51.5072N 0.1276W examines the influence of the Industrial Revolution via the relics from architecture in London, reflecting the effects technology has had on transforming traditional notions of work, community, and identity. -
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Michael Lyons – Parts (Japan, 2023, 5’)
This camera-less silent film examines parts and wholes. Electronic components were photogrammed on 16mm print stock. Displacements in time and space assemble the parts into an abstract dynamic gestalt. -
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Jonny Wildey - Eva (UK, 2023, 4')
A trip into abstract fragmentation.
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